Archive for June 3, 2008

June trivia

All Solved! Go ahead and play trivia in comments!
1. It’s June! Name a movie with “June” in the title.
Solved by maurinsky (comment #4).

2. June is for brides. Name three movies with “Bride” in the title.
Solved by Evn (comments #1 and 3).

3. June is busting out all over! Name 2 movies with “All Over” in the title.
Solved by maurinsky (comment #8).

4. The Summer Solstice occurs this month. Name 2 movies with “Summer” in the title.
Solved by maurinsky (comment #4).

5. The Sun goes into Cancer (the sign of the Crab) this month. Name 3 movies about ocean life.
Solved by Evn (comment #1).

6. But before that, it’ll be in Gemini (the Sign of the Twins). Name 3 movies concerning twins.
Solved by Evn (comment #2) and by maurinsky 9 minutes later (with one overlapping movie) (comment #4).

7. And name 2 movies featuring summer vacations.
Solved by maurinsky (comment #4).

Monday Movie Review: Psycho

Psycho (1960) 10/10
Marion Crane (Janet Leigh), on the way to the bank with $40,000 her employer has given her to deposit in the bank, instead takes off, realizing the money could get her boyfriend (John Gavin) out of debt, allowing him to marry her. Stopping at a motel, she meets Norman Bates (Anthony Perkins) and everything changes. Directed by Alfred Hitchcock.

Okay, is this a spoilery review, or not? Not, I think. Which makes it hard to write a review, of this twisty, turny movie, because part of its brilliance is in the way it skews audience expectations.

I’ve seen Psycho three or four times. At first I didn’t like it; didn’t get it. But it was a friend’s favorite movie and on his behalf I saw it again, and it was one of those “click” moments, where I was suddenly overwhelmed by everything that was happening in the film. It’s not so much the movie itself, but the way that Hitchcock makes this spare little thriller (which was criticized as nothing more than an extended episode of his TV show) wring meaning and power and tension out of every moment, every inch of film, every camera angle. From shadows to wall decor, from costume to dialogue, each component is deliberate and adds to the overall experience, while still seeming stripped-down and raw.

The acting is extraordinary. Anthony Perkins kind of ruined his career by being so brilliant. Previously a teen hearthrob, playing unassuming, sweet characters who usually get the girl (Friendly Persuasion and The Tin Star come to mind), after Psycho he was relegated to horror, because his performance was so iconic.

Janet Leigh is also great. Stunning, really; she didn’t make nearly enough movies, as far as I’m concerned. I like Martin Balsam as a private detective quite a lot; John Gavin and Vera Miles less so, but they give serviceable performances.

Psycho shows us people in isolation with their hopes and doubts, that which they’ll accept and that which they cannot accept. A crucial conversation between Marion and Norman, in a room full of looming stuffed birds, lays out the movie’s themes: People are trapped in prisons of their own devising; maybe they can escape, but probably they cannot. And the people in this film overlap without really interacting. This, too, is apparent in the conversation between Marion and Norman—they speak of themselves without truly connecting to the other—but it is reflected in virtually every conversation.

But, like many of Hitchcock’s movies, Psycho is also about movies, and about audiences. We expect certain things, we become attached, we have sympathies and fears. And Hitchcock is playing games with us; he wants us to see that our expectations are merely formulaic, that our sympathies aren’t necessarily well-placed. He manipulates us in a way that says, movies always manipulate the audience, so let’s put our cards on the tabe. And it’s brilliant.

Sunday Meditation: Adorning Your Altar

We’ve been talking about altars, and about doing things that connect you to deity through your altar.

Previously, we’ve discussed using creative activities to attain a meditative state, and this dovetails well with altar work, because you can create beautiful objects to adorn your altar.

I’m going to use beading as an example. A wonderful way to adorn your altar is to make a necklace, crown, or other adornment for your idol. It will personalize your altar and can be an offering given reverently. Then, whenever you see it on your idol, you’ll be reminded of your offering and your reverence.

Beading is a fairly easy hobby to pick up on; you can make simple strands with no more prior knowledge than tying a knot. Basic supplies are available at any craft store (like Michael’s or A.C. Moore).If you make the necklace large enough to slip over the idol’s head, you don’t have to mess around with clasps or findings.

Before you begin, measure the approximate length you want by using string or thread to simulate the desired look on your idol. You can wrap the strand two or three times around for a lavish look, and of course, you’ll want to measure a length to accomodate that. Later, when you prepare your beading area, have the length (with plenty of extra at the ends for knotting) already cut so that you can move easily into a meditative state without a lot of fuss.

Now choose your beads. Consider the colors that are sacred to your deity (red and black for Kali, white for Isis, gold and green for Brigid) and meaningful symbols (sea shells? coins?). Choose more than you strictly need so that your creativity isn’t blocked when you run out of a bead you really want to use.

Your beading can be rich and sparkly , or simple stones, and need not be placed directly on the idol.

When beading, don’t work on a slick surface like a wood table; use a table cloth or a tray so that beads don’t roll away. Even if you normally meditate in the dark, bright lights are your friends. Wash your hands, and if you’re using string, consider having a block of wax (craft stores sell it for just this purpose) to wax the string and make it easier to get the beads on. You might use a clip at the end of the string so you can add beads without fear of them coming off the end. Have some glue available; a dab of glue on the finished knot will help keep it secure.

With your beads and stringing material laid out and ready, prepare your space with candles, incense, or whatever you normally use.

Ground and center. You might add a prayer to the deity for whom your are making this necklace.

Look at the beads before you, and imagine how your necklace will look. If you want a symmetrical necklace, you should lay out your pattern in advance (professionals and committed hobbyists use a beading board). Allow creativity to flow through you as you choose your beads and lay out their arrangement.

Continue to breath into your center and inhale creativity, beauty, and adornment, which you exhale into the work you are doing.

Begin now to strand the beads onto the string. Place each bead mindfully and rhythmically.

When you are finished, hold the necklace before you and allow yourself to enjoy the beauty you have made. As you tie the final knot, thank the deity and release the energy into your work.

You can make a ritual of offering the necklace on a separate occasion.