So you’re dying to hear about the new Bond song, right?

You want to know what I think of Chris Cornell’s “You Know My Name“? Of course you do.

zzzzzzzzzzzzz

Wha..? Sorry…fell asleep.

It’s bland and boring and who the hell cares? Seriously, if they’re going Startle The World! with their Bold New Choice! for a Different! Kind! of Bond Song! then they need to keep us awake.

I hear people saying, hey, they’ve changed direction, it’s not Shirley Bassey. I agree it has been time for a change. For a while, the trend was towards attempting to replicate the success of Nobody Does It Better, the 80s gave us two rockers and some mildly pleasant love themes. But the 90s songs were all old-school belting.

So I, like many Bond fans, was hoping for a male lead singer, something new and edgy. (I had my heart set on Counting Crows, and thought after the Oscar nomination, they had a real chance.) Madonna’s song for the last movie was exactly right (except for the male part). It was a total direction change, it startled (and sometimes pissed off) the fans, and it was a huge hit.

So Chris Cornell is announced, and that sounds promising, doesn’t it? A non-traditional choice, and then there’s all this chatter about being edgy and new.

And what we get is a bland melody with a chorus that sounds like it was composed by committee. At least nothing will distract me from paying attention to the visual title design.

3 comments

  1. Ken says:

    It made my ears hurt. But I’ll watch the trailer again with the sound off…..

  2. TehipiteTom says:

    Based on your description, I think I’ll skip the song. I’ll hear it when I watch the movie, which probably means on Netflix (I almost never go to the movies anymore).

    I don’t think I could identify any Bond themes from the past 20 years. My favorites are probably Goldfinger and Thunderball, although (as we discussed elsewhere) Live and Let Die is another great one.

  3. deblipp says:

    The ones from the 80s improved with age, no longer being drowned in a radio that plays nothing but 80s music. They stand on their own, if you see what I mean, instead of being part of a ubiquitous sound.

    I think The World Is Not Enough by Garbage and GoldenEye by Tina Turner are both excellent and worth looking up.